Fine art prints
Twelve-colour archival pigment on acid-free cotton rag, with the edge cut straight or torn by hand so no two borders finish alike.
Three album lines, three print papers, four box styles and real wood frames — all made in the same workshop, by the same hands, in the same materials. Whatever you choose, the design comes first and it is free.
They differ in weight, page count and how much choosing you have to do.
The flagship, and what most people mean when they say album. Thick pages for weight and presence, or thin pages when the story is long. Both open completely flat, with a micro-fold at the spine that runs between images rather than through a face.
The lighter line, printed on the same silver halide photographic paper. Thinner cover boards, a curated selection of materials, and far more room inside — up to 130 pages. It is the natural choice for a long trip, a yearly family book, or copies for parents.
Thick archival mats, one photograph to a page, nothing else on the spread. No second image competing for the eye, so a picture is looked at properly and then turned. A slower way to read an album, and for a small deliberate set of images, a better one.
Because a stack of loose prints is not a gift yet, and a hard drive is not a wall.
Twelve-colour archival pigment on acid-free cotton rag, with the edge cut straight or torn by hand so no two borders finish alike.
True silver halide on Fuji paper. Lustre is the popular one: semi-matte, fingerprint-resistant, refined in the hand. Deep Matte is the quiet alternative.
Kraft with a dust cover, oatmeal linen, or a clamshell matched to your album's cover exactly. The print box is sized to keep growing, so next year's pictures live with this year's.
Real wood mouldings. Matted with a hand-cut 45° bevel, matted around a deckled cotton-rag print, or floating with no visible mount at all.
Prints held in archival mats, lying flat when opened and looked at one at a time. A smaller, more intimate object than an album, and a good first print order.
The same album and design in a smaller format, bound in the same run from the same materials. Because they are made alongside your own book, a copy costs considerably less than the first book.
Save-the-dates, invitations, menus and thank-you cards on the same fine art papers as the prints — with a hand-torn edge if you want the invitation to feel like the album it will one day sit beside.
Italian leathers, brushed suedes, fine and standard bookbinding linens — the real photographs of the real materials, with names and groups.
A private online gallery for your photographs, and a designed album to page through. Leave your email and we will send you a single upload link — your design follows in three to five working days.